lorentjd wrote:Who has a "right" to music produced by others?
everyone. in the beginning, all ideas and expressions were public domain, everyone could share. they had a right to share as much as they had a right to free speech. they had a right to share as much as native americans had a right to live in real freedom, before america came and established property. i find jammie's situation particularly ironic given her heritage. there are arguments to be made for property, it's one way to manage materials that are finite in quantity. i'm not here to argue for the right of people to go into a store and steal gum, as much as the record labels would like to say that file sharing is no different. that would decrease the amount of gum they have to sell.
rather the record labels would have me believe that every time you copy a song, that's one less song they can sell. it isn't true at all- a more honest argument can be made that if sharing was decriminalized, it would help sales of records. but the industry with its tight control would not have that tight control. try that with gum. these arguments are made not based on the finite reality of gum but patterns of 0's and 1's- patterns from which any number of copies can be made. every time you double your storage you double how many copies you can make, then the limit becomes how many things you can enjoy. the rest is the imaginary ideal of copyright- and it's not useless either.
from the beginning, american copyright (indeed all american intellectual property) was based on a very simple idea: congress may grant a "monopoly" limited in scope (noncommercial use was not always restricted) and duration (originally 14 years in the united states, with a single possible extension for a total of 28 years) to encourage artists to create and charge for access to these limited monopolies. above all they stopped commercial publishers from competing unfairly. also- unless you bothered to copyright your work, (and unless it was commercially worth the investment of a registration fee) your work was still public domain- everyone had a right to it. this is a system that recognized that all artists build on public ideas, and eventually the public should be able to build on their works in kind. it was not a one-way street like it is now.
in that world, disney was able to get all his best ideas from other people, without paying for licenses. he was able to do legally what today would be criminal, and when he died his corporation turned his legacy into an empire that first and foremost made certain no one would ever have the rights he did. they would steal from the future to lock up the past. there is great hypocrisy and imbalance at work. the really astonishing thing is that people have had so much kool aid to drink that someone who would never be likely to have 2 million dollars gets fined that for copying 24 songs- based on an investigation and so-called evidence that reeks of housewives playing private detective... and some people think this is actually a reasonable idea.
people have been conditioned to take this concept of "intellectual property" much too literally. it was not ever written to make a song into a pack of gum, and the only people rewriting it that way are the same people trying to tell you this is the way things are- these are the rules. they would know the rules, they made them up, and it was only a decade or two ago before they made sampling illegal, too. that's more than 2 centuries of sampling being fair use. freedom keeps eroding, and the public is defending the people taking their rights away, all for the sake of artists. meanwhile, the artists want to put their videos on youtube and the labels force their removal.
i'm all for making this issue about the artists- if the artists had a say, the artists would let me do a lot more than the labels ever will. the artists are not out for blood. if this was about the artists, that would be an "extra" $150,000 in jammie's pocket, as we know that at least richard marx would not have sued her for that. the riaa is a faceless machine, and it's this machine we're arguing the rights of, not ours, and not the artists. give the artists their faces back, and this will get a lot more honest and a lot more reasonable a lot faster. i would never support an artist whose idea of justice is anything akin to what we've seen this year- and i don't have to. i support cc licensed music. i buy cc licensed music, because cc licensed music allows the artist to decriminalize sharing. that's the kind of artist i want to do business with. the kind that wants to do business with me, not exploit my inability to find a good lawyer.
as for riaa label music, i got bored with the same old pap. if i was bored before capitol v. thomas, i'm far more bored with riaa label music now. i feel deeply sorry for any artist that is still trapped with the (m)usic (a)nd (f)ilm (i)ndustries of (a)merica- most of us can avoid being exploited by them, although few or none of the artists can- except the new artists that can avoid them, thanks to the internet.
this is not about artists protecting their business. this is about distributors protecting their control. the artist builds his business on art, the distributors have always built a business on controlling distribution. they could make money in more creative, less exploitative ways- as they are not wholly useless to the artists even now- but they do not want to change, they want to keep their empire.
even profit pales next to the merciless seduction of control. it is priceless, and filesharing upsets it- but i'm okay with that. we need to be if we care about having the same rights our parents had- not just to occasionally share music without paying for it- but to do so without getting sued for millions- to do so without warrantless wiretapping- to do so with the same rights to sample that disney had. do you think steamboat willie was an original work? it was a derivative (a "ripoff") of something that had only only been released two years prior. today he would pay $150,000 for that, and people would ask him if he really believed he had a right to steal steamboat bill.
at any rate, those were saner times for copyright. patents were not as ridiculous as they are now, but some of the arguments were similar. they were arguments warned about by that old pirate, thomas jefferson. people are taught to believe this is about the internet when it's just as much about the constitution (i'm not referring to the first amendment or any other part of the bill of rights, although people should think about the spirit of that law as well.)
but don't take my word for it. take the word of
the american graphophone company, the predecessor of columbia records- in response to claims by music composers that musical recording and player piano rolls could be used to infringe on their rights:
"
all talk about 'theft,' [...] is the merest claptrap, for there exists no property in ideas musical, literary or artistic, except as defined by statute."
how much (and how little) it's changed! i wish jammie thomas could have simply replied "that is the merest claptrap..." she's fighting against the same argument that would have shut down the recording industry that's suing her today- but congress decided that some things were more important than copyright. i find myself agreeing with that sentiment not only for the native americans (as if we should be lecturing
them on taking what's not yours!) but for everyone in this nation of perfect control that jefferson feared.